Thursday, July 18, 2019
Puckââ¬â¢s Mischief Essay
Puck may be mischievous, but he is not cruel or evil. Do you agree? I agree to a large extent that; although Puck may be mischievous and playful, it does not mean that he is inherently cruel and evil. Mischievousness, implies a sort of roguish fondness for trickery and pranks, this however does not necessarily dictate that Puck is evil at heart. At the outset, the first impression the audience receives of Puck is that of a merry prankster and not a hard-hearted plotter who wishes ill. The first fairy the audience meets describes Puck as a ââ¬Ëshrewd and knavish spriteââ¬â¢ referring directly to his mischievous spirit. The fairy describes Puckââ¬â¢s pranks of making ââ¬Ëthe drink to bear no barmââ¬â¢ and Puck himself talks about how he ââ¬Ëjest[s] to Oberon, and make[s] him smileââ¬â¢ and even pretends to be a stool only to disappear when one wants to sit; all of which though they may sometimes be unkind, do not mean any serious harm. Thus from the beginning, Shakespeare creates the impression of a character that delights in mischief, but does not go out of his way to harm people. Though Puck catalyses the conflict between the lovers, it is not because of evil intent that he does this. In fact if anyone should be deemed cruel or evil in A Midsummer Nightââ¬â¢s Dream, it should be Oberon. As it was due to carrying out Oberonââ¬â¢s orders, Puck caused the confusion amongst the lovers seen in Act 3 Scene 2. It is doubtless that Puck was indeed the one who ââ¬Ëanoint[s]ââ¬â¢ Lysanderââ¬â¢s eyes instead of Demetrius, causing Lysander to pursue Helena to ââ¬Ëhonourâ⬠¦ [her] and beâ⬠¦ [her] knightââ¬â¢, creating a tangle of lovers when all four finally meet in Act 3 Scene 2. However, he does this obliviously, as seen in how he later admits that he had ââ¬Ëmistookââ¬â¢ Lysander for Demetrius because Oberon identified Demetrius by ââ¬Ëthe Athenian garments he hath onââ¬â¢. Thus going to show that he had no intention of causing the trouble he did. Additionally, he is willing to make amends for the trouble he has caused, showing that he meant no permanent harm. After finding out that he had ââ¬Ëlaid the love juice on some true-loveââ¬â¢s sightââ¬â¢ causing a ââ¬Ëtrue love [to] turnââ¬â¢d falseââ¬â¢, by causing Lysander to fall for Helena, he immediately commits himself to being ââ¬Ëswifter than an arrow from tartarââ¬â¢s bowââ¬â¢ in searching for Helena to make things right. Later he honestly admits his mistake to Oberon, pleading Oberon ââ¬ËKing of shadowsââ¬â¢ to ââ¬Ëbelieve [him that he]â⬠¦ mistookââ¬â¢. Thus by willingly admitting his mistake and swiftly making amends, Puck shows that he had no intent to harm the lovers at all, shedding light on his character that he is not intrinsically evil. Furthermore, Puck shows compassion for the lovers in his actions, revealing a somewhat unexpected benevolent nature. This is seen when he mistakes Lysanderââ¬â¢s reason for sleeping so far from Hermia as ââ¬Ëlack[ing]-love andâ⬠¦ courtesyââ¬â¢. He echoes similar sentiments when he comments that ââ¬ËCupid is a knavish lad, Thus to make poor females madââ¬â¢ at the end of all the chaos of Act 3 Scene 2. Similarly, although Puck leads Demetrius and Lysander ââ¬ËUp and down, up and downââ¬â¢, seeming to goad them, he does so for good reason- in order to lead them away from each other to prevent a fight. Hence through these instances, Puck shows himself to be even less of the hot-headed mischief maker. However, Puck does show a streak of cruelty in his dealings with the craftsmen. His attitude to the craftsmen and Bottom in particular is scornful, calling them the ââ¬Ëshallowest thicksin of that barren sortââ¬â¢. This conflicts with the audienceââ¬â¢s previous encounters with the craftsmen, which though show them to be ââ¬Ëshallowââ¬â¢ they are certainly not ââ¬Ëbarrenââ¬â¢, and ââ¬ËThe Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisbeââ¬â¢ they persevered in practicing is proof of this. Thus Puck comes across here as very caustic and snide, which may lead the audience to think of him as a wicked character. He even gloats to Oberon about how he had ââ¬ËAn assââ¬â¢s noll fixed onââ¬â¢ Bottomââ¬â¢s head, which reveals a certain malicious streak in him. Nonetheless, Puckââ¬â¢s conclusion of the play emphasizes that he means no ill will. In his closing statement, he says to the audience that ââ¬ËIf you pardon, we shall amendââ¬â¢, for he is ââ¬Ëan honest Puckââ¬â¢. Highlighting yet again that although he may delight in and make a ââ¬Ësportââ¬â¢ out of mischief, he means no real injury, for he is no cruel fairy.
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